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Show through the end of September
Wynken, Blynken and Nod, 24" x 30", Acrylic on board
Her Guardian Raven, 24" x 12", Acrylic on board
Training Day, 20" x 16”, Acrylic on board
Petrichor, 14" x 11", Acrylic on board
Spring Snow, 14" x 11" , Acrylic on board
Raven Totem, 24" x 12", Vinyl paint on board
Wingspan, 12" x 24", Acrylic on board
Goats Like Standing on Things, 20" x 16", Acrylic on board
Finders Keepers, 14" x 11", Acrylic on board
Old Yeller, 20" x 16", Acrylic on board
Show through the end of November
Super Moon, 14 X 11
Small Raven Heads, 8 X 6
Raven at Home, 14 X 11
Long Tall Raven, 24 X 12
Laundry Day, 20 X 16
Bunny Girl, 14 X 11
Triplets, 16 X 20
Carnival, 20 X 16
Best Friends, 20 X 16
A Goat in a Sweater, 20 X 16
The Welcoming Committee, 20 X 16
Coco, 24 X 12
Show through the end of September
Leonardo da Vinci wrote “Colours become weaker in proportion to their distance from the person who is looking at them.”
And we add a wink and a nod to ravens who have an aerial perspective all their own.
Stormy Skies 16” X 12”, Acrylic, $325
The Bunny Room 20” X 16”, Acrylic, $450
The Red Balloon 16” X 12”, Acrylic, $325
The Green Room 16” X 12”, Acrylic, $325
The Blue Room 20” X 16”, Acrylic, $450
Flying to the Sun 14” X 11”, Acrylic, $295
Canyon Raven 16” X 12”, Acrylic, $325
Self Portrait 16” X 12”, Acrylic, $325
Star-Crossed Raven 24” X 12”, Acrylic, $485
Raven’s Raincoat 24” X 12”, Acrylic, $485
Cyd Martin & Sandy Thybony
September, 2020
“Being a figurative artist I’m always searching for subjects that intrigue me. I love painting serious little faces of time-lost children and I have a fine obsession with ravens who act like nature’s court jesters. Primarily, I use acrylic paints and inks to express my feelings about my subjects.
Since most of my paintings are story-centered I begin with an idea. These ideas can come from poems or books I’ve read — Edgar Heard a Tapping was inspired by Edgar Allen Poe’s The Raven, or from a casual remark a friend has made —“She was on her high horse that day!” was the inspiration for Her High Horse. And sometimes ideas come out of nowhere like for Little Redhead.
Painting is a solitary, often lonely occupation and sometimes even I wonder what keeps me painting. During these tumultuous times I’d say it was a longing for distraction as well as a rejection of, and a fighting against, the gloom. There is deep satisfaction and joy in working through the doubt and the daily bout of angst by creating with simple materials like paints and color.”
Her High Horse 24” x 12”
Ghost Raven 24” x 12”
Big Raven 12” x 9”
Red Sun, Blue Sky 14” x 11”
Raven On a Pedestal 24” x 18”
Norwood Kidnaps the Performing Chicken 20” x 16”
Little Redhead 14” x 11”
Yellow Sky, Red Sun 14” x 11”
The Irish Three 18” x 24”
Bird 14” x 11”
Edgar Heard a Tapping 16” x 20”